review – The Cultural Exposé http://www.theculturalexpose.co.uk A blog from a lifestyle journo covering culture, food and style in London and beyond. Mon, 23 Jul 2018 21:50:47 +0000 en-GB hourly 1 http://www.theculturalexpose.co.uk/wp-content/uploads/2011/12/cropped-logo_2017-32x32.jpg review – The Cultural Exposé http://www.theculturalexpose.co.uk 32 32 Five Dope Tracks is a curation of dope music, five tracks at a time. Check out the monthly playlist each month on Spotify. review – The Cultural Exposé clean episodic review – The Cultural Exposé megerecooper@gmail.com megerecooper@gmail.com (review – The Cultural Exposé) The Five Dope Tracks music podcast review – The Cultural Exposé http://www.theculturalexpose.co.uk/wp-content/uploads/powerpress/five_dope_tracks_podcast_cover.jpg http://www.theculturalexpose.co.uk What we’ve been up to… Cirque du Soleil’s Quidam http://www.theculturalexpose.co.uk/arts-culture/what-weve-been-up-to-cirque-du-soleils-quidam/ http://www.theculturalexpose.co.uk/arts-culture/what-weve-been-up-to-cirque-du-soleils-quidam/#comments Fri, 10 Jan 2014 11:38:58 +0000 http://www.theculturalexpose.co.uk/?p=8463 In its latest run at Royal Albert Hall, Cirque du Soleil’s Quidam has a narrative that is loosely formed around a lonely girl and the grey life she shares with her unhappy parents. This is quickly ripped apart by the arrival of Quidam, who guides the girl into an alternate world where clowns are guides and horned […]

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In its latest run at Royal Albert Hall, Cirque du Soleil’s Quidam has a narrative that is loosely formed around a lonely girl and the grey life she shares with her unhappy parents. This is quickly ripped apart by the arrival of Quidam, who guides the girl into an alternate world where clowns are guides and horned women are playmates.
Supported by live musicians, Quidam often seems stuck between genres—sometimes it is a circus, sometimes a crazy dance party, other times a weird and outlandish fashion show. While the premise can explain the nonsensical explosion of colour and sound, sometimes the chaos can be overwhelming. Performers lurk in the background, merely making strange expressions or twirling, seemingly unrelated to the main event.

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If you can focus on the main performers, though, you will witness some of the human body’s most elegant and powerful movements. A mesmerising routine with a woman bound in a waterfall of red silk literally put the audience on the edge of their seats. Three women lithely twisted their bodies around, rotating and spinning rings in time to the music, while later a larger troupe performed acrobatic feats of tumbling and leaping that made us collectively gasp.
Perhaps the most moving moment of Quidam, though, was its simplest. In a long dance of form and expression, a man and a woman used only their bodies to continually bind and separate themselves . At times, you could be forgiven for thinking the two forms had fused into one. For a few lovely minutes, no elaborate costumes or blaring soundtrack competed for attention. It was simply a graceful expression owed to the remarkable power and ability of the two performers that kept everyone mesmerised…as long as you ignored the man twirling in the pink tutu just stage left. (Words: Barbara Cole) 

Quidam is on until 16 February. For more info, visit: www.cirquedusoleil.com/en/shows/quidam/default

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What we’ve been up to… Future Cinema presents Shawshank Redemption http://www.theculturalexpose.co.uk/film/what-weve-been-up-to-future-cinema-presents-shawshank-redemption/ http://www.theculturalexpose.co.uk/film/what-weve-been-up-to-future-cinema-presents-shawshank-redemption/#comments Mon, 04 Feb 2013 11:00:00 +0000 http://www.theculturalexpose.co.uk/?p=6341 I’ve seen some great films in my 31 years, but few compare to the cinematic genius that is Shawshank Redemption. Nominated for seven Oscars, its intelligent narrative,  beautiful score and “that twist” makes it one of those timeless films you can watch over and over again  – so I was intrigued when I heard it […]

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I’ve seen some great films in my 31 years, but few compare to the cinematic genius that is Shawshank Redemption. Nominated for seven Oscars, its intelligent narrative,  beautiful score and “that twist” makes it one of those timeless films you can watch over and over again  – so I was intrigued when I heard it had been given the Secret/Future Cinema treatment last year. For starters, how do you pull off a “live cinema” version of a film like Shawshank?  Who’s playing Morgan? And since participants are invited to be inmates in this theatrical production, would there reeaaaaaally be any fun in that?

Sort of.  In case you can’t remember, Shawshank Redemption tells the story of a man thrown in jail, accused of murdering his wife and her lover. He pleads innocent but gets on with doing his time until he discovers evidence which could set him free. His initial years locked up are pretty harrowing to say the least – and inside the world of Future Cinema, we get a taste of this prison life that at times is almost too authentic for entertainment.  During the first part of the production, a few participants are shouted at and humiliated, while I witnessed  a few disturbing moments that I imagine was particularly uncomfortable for my fellow ladies in the mix.

That said, there’s no denying that Future Cinema are brilliant at what they do as the production values are incredibly high (I’d go so far as to say mind-blowing) – and any questionable factors of the spectacle are soon overcome by the convincing actors, activities and the eventual screening of a film that’s deserving of the homage.  But playing make-believe incarceration may falter in comparison to more light-hearted FC productions like Grease, Bugsy Malone  – and in a few weeks Casablanca – which you probably wouldn’t mind paying 45 quid for. Still, if you’re brave enough, want to play along and oddly fancy the kicks, this could be the ticket. Just don’t take a date if you’re a fella – and ladies, you might want to leave the girlyness (and heels) at home. On until February 24th.

For more info, visit http://www.futurecinema.co.uk

 

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Somewhere you should eat… Reform Social & Grill, Marylebone http://www.theculturalexpose.co.uk/eat-drink/somewhere-you-should-eat-reform-social-grill-marylebone/ http://www.theculturalexpose.co.uk/eat-drink/somewhere-you-should-eat-reform-social-grill-marylebone/#comments Wed, 29 Aug 2012 10:00:20 +0000 http://www.theculturalexpose.co.uk/?p=4892 About three or four years ago, restaurants offering robust, butch British fare in clubby surroundings (gentlemen’s rather than night) were the height of fashion, Dean Street Townhouse being the first and I would still argue the best of the bunch. It was a fashion I was very happy with, this being exactly the kind of food I like to […]

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About three or four years ago, restaurants offering robust, butch British fare in clubby surroundings (gentlemen’s rather than night) were the height of fashion, Dean Street Townhouse being the first and I would still argue the best of the bunch. It was a fashion I was very happy with, this being exactly the kind of food I like to eat and the kind of place I like to eat it in.

Reform Social
Fashions change however, with each new restaurant opening now seemingly contending to be more niche and novel than the last, so just as I was thinking we’d all moved on to places serving only hot dogs and champagne or authentic pork-bone ramen, it came as a not-unpleasant surprise to hear about somewhere as resolutely – one might say wilfully – old-school as Reform Social & Grill.

Located in the Mandeville Hotel in Marylebone, Reform consists of a bar area (the Social) serving some pretty spot-on cocktails – they got my vodka Martini exactly right – and the Grill, a large room which with its bare-wood floors, dark Edwardian colour palette and studded leather banquettes and booths is attractive but almost oppressively masculine. On the night Alyn and I visited we were the only diners for almost the entire evening, word having clearly not yet spread that Marylebone, an area well-served for high-end eating establishments but less so for good everyday options, now has exactly that…

To read the rest, click here to visit Hugh Wright’s blog twelvepointfivepercent.com

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Somewhere you should eat… Ora http://www.theculturalexpose.co.uk/eat-drink/somewhere-you-should-eat-ora/ http://www.theculturalexpose.co.uk/eat-drink/somewhere-you-should-eat-ora/#comments Wed, 08 Aug 2012 10:00:23 +0000 http://www.theculturalexpose.co.uk/?p=4720 Location, location, location are, as every estate agent and Channel 4 property show addict knows, the three critical factors in determining the desirability of a property. The same cannot be said for restaurants, which can thrive in the oddest places – both under and atop multi-storey car-parks, for example – yet fail in seemingly sure-fire sites. Ora is a fantastic […]

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Location, location, location are, as every estate agent and Channel 4 property show addict knows, the three critical factors in determining the desirability of a property. The same cannot be said for restaurants, which can thrive in the oddest places – both under and atop multi-storey car-parks, for example – yet fail in seemingly sure-fire sites.


Ora is a fantastic smart Thai restaurant cursed with an abysmal location (location, location).  Little Portland Street is an alleyway in the unlovely area north of Oxford Street that property developers have tried unsuccessfully for years to rebrand as Noho. The previous occupant of this site was Annex 3, the short-lived West End off-shoot of Shoreditch favourite Les Trois Garcons.

Ora’s owners are clearly unperturbed that the eponymous three boys, with their pedigree, couldn’t make a go of it here. Money has been spent to good effect on giving the long, large dining room and adjoining cocktail lounge a sleek, dark, Christian Liaigre-ish makeover, and an elegant interlocking design rather like a curvy Union Jack runs across staff t-shirts, embroidered leather place-mats and menus. There’s confidence as well as incense in the air….

To read the rest, click here to visit Hugh Wright’s blog twelvepointfivepercent.com

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Somewhere you should eat… Cinnamon Soho http://www.theculturalexpose.co.uk/eat-drink/somewhere-you-should-eat-cinnamon-soho/ http://www.theculturalexpose.co.uk/eat-drink/somewhere-you-should-eat-cinnamon-soho/#comments Wed, 23 May 2012 10:00:14 +0000 http://www.theculturalexpose.co.uk/?p=3927 One of the very first restaurants I wrote about when I started the TwelvePointFive blog was The Cinnamon Club, chef Vivek Singh’s magnificent haute Indian in Westminster. Since then I’ve eaten out countless times and that meal still stands out in my mind as being one of the best. Expectations were understandably high then when I […]

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One of the very first restaurants I wrote about when I started the TwelvePointFive blog was The Cinnamon Club, chef Vivek Singh’s magnificent haute Indian in Westminster. Since then I’ve eaten out countless times and that meal still stands out in my mind as being one of the best.

Expectations were understandably high then when I went along to try out Cinnamon Soho, the second, newly-opened casual offshoot of the SW1 original (the first, which I’ve not been to, is Cinnamon Kitchen in the City). As he’d been my date for that first memorable meal at The Cinnamon Club, best friend Anders was the obvious and only choice to come with me.

Located in a somewhat dark, fairly bland but inoffensive two-floor site on Kingly Street, home to both the estimable Wright Bros and execrable Fornata among others, Cinnamon Soho isn’t without competition for the stomachs and wallets of the price- and quality-conscious diners it’s aiming to attract. Based on what we ate, Vivek Singh isn’t taking the competition lightly, because there’s some seriously brilliant food coming out of the kitchen…

To read the rest, click here to visit Hugh Wright’s blog twelvepointfivepercent.com

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What we’ve been up to… Drake at O2 Arena (March 26th) http://www.theculturalexpose.co.uk/music/review-drake-o2-arena-march-26th/ http://www.theculturalexpose.co.uk/music/review-drake-o2-arena-march-26th/#comments Wed, 28 Mar 2012 10:00:52 +0000 http://www.theculturalexpose.co.uk/?p=3608 When it comes to Drake, critics like to focus on the 25-year-old Canadian’s excessive compulsion to over-sentimentalise his rapid flight to fame and the many women he’s slept with (plus the ones who got away), often disregarding that it takes a certain kind of man to present all that mushy stuff in the guise of […]

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When it comes to Drake, critics like to focus on the 25-year-old Canadian’s excessive compulsion to over-sentimentalise his rapid flight to fame and the many women he’s slept with (plus the ones who got away), often disregarding that it takes a certain kind of man to present all that mushy stuff in the guise of hip-hop and get away with it.

Pulling in lady fans to score two UK gold and US platinum albums, that’s easy enough (he’s a looker) but the fact men adore the former child actor just as much, if not more, makes Drake the sort of clever conundrum that could remedy the many faux pas hip-hop has willingly entertained over the last 20 years. He’ll say himself that he’s more concerned with reckless good times, than thuggish bravado, welcoming tonight’s sold out crowd to “the greatest fucking club in the world, club paradise” – and for at least 90 minutes, he pulls off one heck of a party.

It’s not an easy job either, as he’s joined only by a six-piece band, a few visuals, and a humble light show (and not even an outfit change). However, he runs laps along the O2 stage as track after track from his latest album Take Care crash brilliantly around the arena, like  ‘Under Ground Kings‘.   “I bet we can make tonight the greatest story ever told, cause I’m down to spend whatever, lately I’ve been on a roll!” yells the rapper as the crowd effortlessly screams along.

Other big hitters like ‘Headlines‘ and ‘Over‘ – where urgent, grandiose beats meet his hooky, monotonous flow – also light up the proceedings, and even when he goes into R&B mode à la Craig David and delivers the emo-ballad ‘Marvin’s Room‘, he’s still winning.  That is, until a knucklehead thuggishness makes an appearance by way of his excessive use of the N-word (“Tonight we’re gonna let it slide,” he smiles) and references to “bustin pussy” sound way too wrong to be consensual.

Perhaps his mentor Lil Wayne is to blame for gutter moments, coming off a bit try-hard for a guy named Aubrey who hails from the land of Celine Dion and takes every possible gap to gush about how much he loves his fans. But as far as hip-hop shows go, Drake does a good job in showing he’s earned the hype, and with a heartfelt approach to the genre that’s tougher than you’d imagine. (Words: Matilda Egere-Cooper) 

 

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Somewhere you should eat… Mishkins, Covent Garden http://www.theculturalexpose.co.uk/eat-drink/somewhere-you-should-eat-mishkins-covent-garden/ http://www.theculturalexpose.co.uk/eat-drink/somewhere-you-should-eat-mishkins-covent-garden/#comments Wed, 29 Feb 2012 11:00:23 +0000 http://www.theculturalexpose.co.uk/?p=3455 For anyone operating a restaurant specialising in the cuisine of a particular country or culture, being considered ‘authentic’ by experts and ex-pats can be both a blessing and a burden. While a reputation for the truest tapas, realest rendang or mostverisimilitudinous Vietnamese usually results in a clamour for tables and healthy profits, get things wrong and your faux French or ersatz […]

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For anyone operating a restaurant specialising in the cuisine of a particular country or culture, being considered ‘authentic’ by experts and ex-pats can be both a blessing and a burden. While a reputation for the truest tapasrealest rendang or mostverisimilitudinous Vietnamese usually results in a clamour for tables and healthy profits, get things wrong and your faux French or ersatz Asian will make you the object of every food snob’s opprobrium.

Only a restaurateur with the supreme confidence and chutzpah of Russell Norman would dare to open a restaurant as wilfully, joyously inauthentic as Mishkin’s, described on its website as ‘a kind-of Jewish deli with cocktails’. Even as I write this, I can’t help but wonder if from conception to delivery Norman wasn’t chuckling knowingly to himself at the froth some critics would work themselves up into at just how un-kosher the place is, not only in the sense of the food not adhering properly to kashrut  – there’s a pork hotdog on the menu for G_d’s sake – but also in the liberties it takes with Jewish culinary tradition.

I make no claims to any level of expertise in this area (hell, in any area) so I really can’t tell you if the matzo balls are dense (or light) enough, if the salt beef has enough (or too much, or too little) fat, or if the oxtail cholent needs more or less seasoning. But to judge the food qua Jewish food is to completely miss the point of Mishkin’s, the point made by that all-important ‘kind-of’: this isn’t meant be an authentic Jewish deli, this is Norman’s own playful take on one – and oy is it fun…

To read the rest, click here to visit Hugh Wright’s blog, Twelvepointfivepercent.com – London Restaurant Reviews Of Real Discretion. 

Follow Hugh on Twitter: @HRWright

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What we’ve been up to… The Bad Jumper Jingle Bell Rock at The Book Club http://www.theculturalexpose.co.uk/special-features/what-weve-been-up-to-the-bad-jumper-jingle-bell-rock-at-the-book-club/ http://www.theculturalexpose.co.uk/special-features/what-weve-been-up-to-the-bad-jumper-jingle-bell-rock-at-the-book-club/#comments Mon, 12 Dec 2011 12:30:09 +0000 http://www.theculturalexpose.co.uk/?p=2898 To celebrate the season of eating, drinking and being merry, The Book Club  held their “Bad Jumper Jingle Bell Rock” on December 9th. Shoreditch hipsters were invited to don their most cringeworthy jumpers and get ready to rock around the Christmas tree. Well, dodgy jumpers were aplenty, while reindeer, snowmen, santas and snowflakes all made a knitted […]

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To celebrate the season of eating, drinking and being merry, The Book Club  held their “Bad Jumper Jingle Bell Rock” on December 9th. Shoreditch hipsters were invited to don their most cringeworthy jumpers and get ready to rock around the Christmas tree. Well, dodgy jumpers were aplenty, while reindeer, snowmen, santas and snowflakes all made a knitted appearance your gran would be proud of.
However the festive knits weren’t enough to stop a “disaster” during the night. News reached the Club that Rudolph (the reindeer,  of course) had broken his nose and a replacement was needed urgently. Guests saved the day by taking part in “reindeer testing activities” to recruit a replacement reindeer, with challenges that included:
  • – demonstrating your galloping
  • – braving arctic conditions (holding an ice cube against your nose)
  • – being able to unwrap a present with your hooves
  • – finding food in a bale of (glittery) hay
  • – showing off your reindeer socialising skills
  • – steer the sleigh without going off course
  • – Being able to identify everyday sights from a flying reindeer’s perspective in the sky (well maybe not “everyday” sights – one of them was a man in a sombrero riding a bike!)
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The reindeer recruitment was overseen by “Santa’s helpers” who played the panpipes and rewarded good skills with Christmassy goodies, candy canes or cinnamon shots. We recovered from the reindeer activities with some quirky cocktails, such as the Don’t Go to Dalston and The Angry Pirate. The celebrations continued with The Bikini Beach Band – who were in fact  wearing flares and fez’s – and their funky take on an eclectic range of music got even the dodgiest-dressed punters on the dance floor, before the night was wrapped up with a brilliant set from DJ Sean Rowley.  (Words: Clare Ebberson)
 
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Something you should see…One for The Road/Victoria Station http://www.theculturalexpose.co.uk/arts-culture/something-you-should-see-one-for-the-roadvictoria-station/ http://www.theculturalexpose.co.uk/arts-culture/something-you-should-see-one-for-the-roadvictoria-station/#comments Thu, 29 Sep 2011 09:00:27 +0000 http://www.theculturalexpose.co.uk/?p=1801 One for the Road is a powerful study of the horror of individual lives at the mercy of a dictatorship.  It recounts the interrogation of Victor, his wife and their seven year old son, at the hands of a brutal government.  Pinter was inspired to write the play in 1984 after meeting two young Turkish women […]

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One for the Road is a powerful study of the horror of individual lives at the mercy of a dictatorship.  It recounts the interrogation of Victor, his wife and their seven year old son, at the hands of a brutal government.  Pinter was inspired to write the play in 1984 after meeting two young Turkish women who enraged him with their casual indifference to the use of torture in their country. This provocative short play set the tone for his later overtly political work.   Pinter performed the role of Nicolas in 2001 at The Gate, Dublin and on Broadway…

New Notting Hill venue The Print Room joins forces with the Young Vic to stage a compelling double bill of Pinter’s One for the Road and his macabre black comedy Victoria Station.  This is the first time the two plays have been staged as a double bill since their premiere in 1984 at the Lyric Hammersmith.
In Victoria Station a minicab controller is in a rage with one of his drivers.  He is outraged that his orders are ignored – but the driver is distracted by something mysterious and worrying.  In this unsettling comic vignette Pinter reveals the frustration and anger in a struggle for power between a dispatcher and his disobedient driver…

…To read the rest, click here to visit West End Wendy’s blog, westendwendyblog.blogspot.com – The Life And Times Of A London Theatre Fan. 

Follow Wendy on Twitter: @Westend_Wendy or Facebook:www.youtube.com/MsWestendwendy

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Somewhere you should eat….@ SIAM, Soho http://www.theculturalexpose.co.uk/eat-drink/siam-soho/ http://www.theculturalexpose.co.uk/eat-drink/siam-soho/#comments Wed, 28 Sep 2011 09:00:59 +0000 http://www.theculturalexpose.co.uk/?p=1795 The @ symbol (or to give it its proper name, the ‘at symbol’) has had a number of uses in its 111-year lifetime. Originally conceived as accounting shorthand for ‘at the rate of’, with the arrival of email in the 1990s the humble @ came into worldwide(web) usage as an integral part of every email […]

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The @ symbol (or to give it its proper name, the ‘at symbol’) has had a number of uses in its 111-year lifetime. Originally conceived as accounting shorthand for ‘at the rate of’, with the arrival of email in the 1990s the humble @ came into worldwide(web) usage as an integral part of every email address. Since 2006 however, the sign has acquired a new prominence as the opening character of every Twitter username; other means of communication are old hat – these days Twitter is where it’s @.

Don’t go looking for smart new Thai restaurant @SIAM on Twitter though; the username does exist, but it’s not them – in fact it’s one of the thousands of dormant accounts which include, frustratingly, @hughwright, an Evangelical Christian in the US who’s not tweeted since May last year. And not that you would, but don’t go looking for it in Siam either – you’d have a job to, as no such place exists, the Kingdom of Siam having become Thailand for good in 1949. Do however go looking for it on Frith Street, slap-bang in the heart of Soho, where you will find it, especially if what you’re looking for is some really very good Thai food at not-too-hideous prices…

…To read the rest, click here to visit Hugh Wright’s blog, Twelvepointfivepercent.com – London Restaurant Reviews Of Real Discretion. 

Follow Hugh on Twitter: @HRWright

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