For the first time they will be hosting their own exhibition, showcasing a mixture of previously seen images from their pages over the past 10 years, as well as a glimpse of future works still to be published. As people known to push the boundaries and produce works of clarity on modern life, it will make for a revealing and illuminating art show with little political correctness to be found but plenty of engaging art pieces.
The varied works include sketches to animations from the likes of regular Vice contributors Johnny Ryan, Cei Willis, Daniel David Freeman and Kyle Platts amongst others – and the show aims to demonstrate the work of a modern illustrator,  given the way media has changed with the growth of digital. And with so many news stories today now featuring pictures captured by people on their smart phones or taken from Instagram or Twitter,  the images used by Vice always compliment their accompanying articles in a way that can convey far more than a shakey camera phone picture – whether it’s discussing ‘what do terrorists and Tesco have in common’ or one of my favourites ‘what do fascists think of Anne Hathaway?’  So head here this May for a thought-provoking at experience. (Words: Lucy Palmer)
The VICE Illustration Show takes place  at the Pure Evil Gallery, 108 Leonard Street, Shoreditch, from May 17 to June 2nd. For more info, visit: www.pureevilclothing.com

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The British Wrestler

Everyone knows wrestling is fake. Everyone knows the same about the movies. Both represent truth as barely credible fiction. The lights go down, the private becomes public and the eager spectator accepts what is presented to them as the way it should be.

Both wrestling and the movies cast heroes and villains in the mythological battle of Good versus Evil. Lifelong wrestling junkie and self-confessed Z-list celebrity Grady plays a hero in the ring and on the screen, moonlighting as ‘Grado’, a grappling Kevin Bridges whose gimmick is merely an extension of his real life persona. ‘Grado’ greases his chops and throws on his leotard in the community centres of Insane Championship Wrestling, a too-hardcore-for-TV independent promotion that makes Extreme Championship Wrestling seem like an Early Learning Centre. Amateur wrestling (or ‘true wrestling’ as Roland Barthes calls it in his 1957 essay ‘The World of Wrestling’) is based upon a great spectacle of actions and gestures (‘displays’) which are instantly recognisable – like ancient theatre, Barthes says, but with staple guns and car doors.
The British Wrestler is a heartfelt and engaging documentary that does not judge or seek to explain its subject. Director Rhys James is a willing participant in the kayfabe, refusing to go beyond the mat into the tenebrous world of script writing, wellness programs and backstage screw jobs. Although there is yet to be a formidable non-fiction account of professional wrestling, in the age of Twitter and message boards, when the things you don’t know about wrestling aren’t worth knowing, perhaps this approach should be applauded. Click HERE to see the trailer for The British Wrestler online at Vice.com. 

Caribbean Fashion Week

Caribbean Fashion Week visits Kingston, Jamaica, as presenter Charlet Duboc discovers the controversial dancehall scene and the unfashionable fashion of skin bleaching. The documentary is less about Caribbean couture than the fashions of illegal, self-medicated cosmetics which continue to affect the nation. The prosperous fortunes of skin tone make ‘light alright’, bleachers argue, pointing to the emerging racial socio-economic hierarchy that favours light-skinned progeny above darker-skinned Jamaicans.

Socially mobile females are also aware of Jamaican men’s voracious, Sir Mix-a-lot appetite for big butts, mixing agricultural chicken feed into their porridge in search of beautiful perfection. These practices are especially popular in lower income areas, where Duboc seeks out the daily routines of the women involved.
The cultural space in which to flaunt these fashions is the dancehall. Jamaican fashion has been forever tied up with dancehall culture, as fashion revolutionaries attempt to take their provocative designs into the mainstream. In 25 minutes, director William Fairman cannot fully broach the lifestyle trends of the dancehall, but instead, to his credit, chooses to survey the traditions of skin bleaching and body altering and its deeper roots in Jamaican culture. Click HERE to watch Caribbean Fashion Week online at Vice.com. 

The Raindance Film Festival is on until October 7th.  Click HERE to read our preview about it. 

The post What we’ve been up to… Vice presents: The British Wrestler and Caribbean Fashion Week at the Raindance Film Festival appeared first on The Cultural Exposé.