royal academy – The Cultural Exposé http://www.theculturalexpose.co.uk A blog from a lifestyle journo covering culture, food and style in London and beyond. Mon, 23 Jul 2018 21:50:47 +0000 en-GB hourly 1 http://www.theculturalexpose.co.uk/wp-content/uploads/2011/12/cropped-logo_2017-32x32.jpg royal academy – The Cultural Exposé http://www.theculturalexpose.co.uk 32 32 Five Dope Tracks is a curation of dope music, five tracks at a time. Check out the monthly playlist each month on Spotify. royal academy – The Cultural Exposé clean episodic royal academy – The Cultural Exposé megerecooper@gmail.com megerecooper@gmail.com (royal academy – The Cultural Exposé) The Five Dope Tracks music podcast royal academy – The Cultural Exposé http://www.theculturalexpose.co.uk/wp-content/uploads/powerpress/five_dope_tracks_podcast_cover.jpg http://www.theculturalexpose.co.uk A rebel with a cause: Ai Weiwei at the Royal Academy of Arts http://www.theculturalexpose.co.uk/arts-culture/a-rebel-with-a-cause-ai-weiwei-at-the-royal-academy-of-arts/ http://www.theculturalexpose.co.uk/arts-culture/a-rebel-with-a-cause-ai-weiwei-at-the-royal-academy-of-arts/#comments Thu, 29 Oct 2015 06:00:36 +0000 http://www.theculturalexpose.co.uk/?p=10763 I’ve only ever had a passing knowledge of Ai Weiwei.  The Chinese government hated him, I knew that much, and his contemporary  art always seemed intended to irritate the powers that be even more – so much so, they took his passport for four years (the scoundrels).  From a distance, he seemed humorous, genuine.  Creative. Committed […]

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I’ve only ever had a passing knowledge of Ai Weiwei.  The Chinese government hated him, I knew that much, and his contemporary  art always seemed intended to irritate the powers that be even more – so much so, they took his passport for four years (the scoundrels).  From a distance, he seemed humorous, genuine.  Creative. Committed to his cause. Maybe even normal, for an artist.  “You have a responsibility to make sure your language is clear”, he says on the audio commentary of his new show at the Royal Academy of Arts – and it’s that aspect of this latest survey that’s makes it a powerful, thought-provoking testimony of his life and work.

I spent last Friday afternoon checking it out with a friend. It was frustratingly crowded, which I guess is to be expected with blockbuster shows like this one – but once we dodged the school groups and the selfie sticks, we got the chance to appreciate pieces he created over the past 20 years (including some new ones, specifically for RA). He’s very good at corrupting traditions to make a case for human rights and creative freedom – and though it’s occasionally cheeky and disturbing, it’s unequivocally sincere.

The show’s worth a visit and on until 13th December and you can find out more about it here. In the meantime, check out some of my snaps from my recent visit below:

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Something you should see… David Hockney at the Royal Academy of Arts http://www.theculturalexpose.co.uk/arts-culture/something-you-should-see-david-hockney-at-the-royal-academy/ http://www.theculturalexpose.co.uk/arts-culture/something-you-should-see-david-hockney-at-the-royal-academy/#comments Mon, 23 Jan 2012 11:00:53 +0000 http://www.theculturalexpose.co.uk/?p=2935 David Hockney is undoubtedly one of the best British artists of the 20th century, and has a long established fascination with the depiction of landscapes.  Working most recently on huge canvases filled with bright contrasting colours, his work is vibrant, bold and exciting. Thinking outside the traditional painter’s box, Hockney has been drawing on an […]

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David Hockney is undoubtedly one of the best British artists of the 20th century, and has a long established fascination with the depiction of landscapes.  Working most recently on huge canvases filled with bright contrasting colours, his work is vibrant, bold and exciting.

Thinking outside the traditional painter’s box, Hockney has been drawing on an iPhone since 2008, eagerly graduating to the iPad in 2010. Using a simple  app called Brushes, his initial infatuation with iPhone-drawing was the ability to send finger-drawn images to friends, usually of flowers, or the view from his window. This became an almost daily habit, and led to his recent ‘Fresh Flowers’ exhibit, which involved drawings made on the electronic devices that were projected onto screens.

His latest exhibition, ‘The Bigger Picture’, is comprised of work from the last few years; a range of vivid large-scale paintings inspired by the East Yorkshire landscape and created especially for the Royal Academy. Using a tablet proved invaluable for creating these works, as they are made up of multiple panels, the size of which allow the viewer to really get lost in the scene portrayed. A series of films have also been produced, using 18 cameras and multiple screens set up in the gallery, which will show an artistic journey through the eyes of Hockney himself. It’s a great example of how modern tools and artistry can combine to create new ideas – and, at 74, Hockney also proves that you’re never too old to get to grips with technology. (Words: Flora Baker)

‘David Hockney: A Bigger Picture’ opens at the Royal Academy of Arts runs until April 9th.  For more info, visit www.royalacademy.org.uk/exhibitions/hockney

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